Naomi Paxton - Researcher and Performer
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    • Talks, Workshops and Walks
    • Different Stages project
  • Radio
  • Research
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    • Suffrage Play Collections
    • Stage Rights! The Actresses' Franchise League, Activism and Politics 1908-1958
    • Blog
  • Comedy
    • Ada Campe's upcoming gigs
  • About me
    • Photos and Videos >
      • Headshots
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  Naomi Paxton - Researcher and Performer

Suffs on broadway... in 1915 and 2024

8/11/2024

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I made a pilgrimage to see Suffs at the Music Box Theatre on Broadway last month, and saw it on the 26th October, when the news was full of the US Presidential campaign.
​I was walking around the streets of Manhattan that weekend thinking of the incredible effort New York suffragists had made in the city 99 years earlier - in October 1915 - to make Votes for Women as visible as possible.
Picture

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VOtes for Children & A staircase matinee - Ernest hutchinson and italia conti

14/5/2024

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More archive fun!
Ernest Hutchinson's 1913 short play Votes for Children has intrigued me since I first read the manuscript in the LCP Collection at the British Library.  Described with some glee in the LCO Readers Report as "a lively skit upon the agitation of female militants for votes", the piece is set in the offices of the fictional CSPU - the Children's Social and Political Union - and requires a mixed cast of children and adults. Hutchinson subtitles the play "A Comedy of the Future", and in this futuristic world children are campaigning for the right to vote at age six, the Prime Minister is a woman, and her husband who is the Home Secretary has been kidnapped by the leader of the CSPU, their daughter Rosabel. ​

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Hank the mule! or when something in an archive catches your eye...

2/3/2023

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Picture
In April 2022 I was in the University of Bristol Theatre Collection researching the London cabaret scene of the early to mid twentieth century when I saw this face peeking out at me from an open folder of programmes and cuttings. I was immediately intrigued! The full picture was, I assumed, a publicity shot for a cabaret act, a play, or perhaps even a film.

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Taking the Stage - a second book of suffrage plays

27/6/2018

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My second edited collection with Methuen Drama is being published on the 2nd July! It contains twelve pieces in all - a wide variety of material written by female and male suffragist writers between 1908-1914.

Spanning different styles and genres, the pieces explore many issues that interested feminist and suffragist campaigners such as the value of women's work, domestic and economic inequality, visibility in public space, direct action and its consequences, sexual double standards, and the influence of the media on public opinion. This collection builds on my first volume of plays, published in 2013. If you get both you will have an impressive collection of playable, accessible and fascinating plays that speak to us directly about how the suffrage movement represented itself on the stage and through the medium of performance.

Here's a little bit about each of the plays to whet your appetites!

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Tracing and retracing suffrage theatre 

8/5/2016

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In groups of ten to fifteen at a time, audiences will set off on a specially prepared route through Covent Garden starting from the historic Theatre Royal Drury Lane.  At intervals throughout the route, actors and actresses begin their performances as the groups draw near, engaging audience members in comic and moving moments from the struggle for Votes for Women with pieces both inspired by and directly from the plays and experiences of the Actresses’ Franchise League…
Audiences will discover theatrical Suffragette secrets they never knew Theatre Land had been keeping!
“Absolutely brilliant”
“Food for the soul”
“A real creative gem”

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Suffragette Extras - Up The Men!

19/10/2015

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2. Male support for Votes for Women

In the film 'Suffragette' the character of Hugh Ellyn, played by Finbar Lynch, is described by the policemen watching his property as being part of the 'Men's League.' Married to a known militant, he has apparently previously been imprisoned for his role in the suffrage campaign, and we see him in the film helping the WSPU to organise and carry out violent militant actions. Although we never get to hear any of his story, it's good to have acknowledgement of the male support for suffrage in the film - as it's an important part of the history of the campaign.
It's not made clear in the film or production notes, but I reckon, given his militant leanings, Lynch's character is most likely to have been part of the Men's Political Union for Women's Enfranchisement (MPU). ​The MPU was directly affiliated with the WSPU, the society featured in the film 'Suffragette,' and shared their colours of purple, white and green. As well as their headquarters near Charing Cross Station in London, they had a number of regional branches across the UK, including in Eastbourne, Birmingham and Letchworth and at both Oxford and Cambridge Universities. One branch, in East Grinstead, was apparently "actually the outcome of an anti-suffrage meeting there... One gentleman was so struck with the feebleness of the arguments that he proceeded to found a branch of the Men's League." 
Picture
Logo of the Men's Political Union for Women's Enfranchisement

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Suffragette Extras - Edwardian Photoshop?

12/10/2015

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Seen the Suffragette film and interested in finding out a bit more about the
stories it tells? Well, hello!

1. Police Surveillance Photos

In the Suffragette film, we see police taking and collating surveillance pictures of suspected militant women both out in public and whilst they are in prison. As violent direct action became more frequent, surveillance of militant women and their networks by police increased. The photographs could then be circulated not only to police forces up and down the country but also to potential sites of protest, like galleries, so that known militants could be refused access.
​
The women in the pictures below include Mary Richardson (no. 11) who slashed the Rokeby Venus in the National Gallery in 1914 in protest at the treatment of Emmeline Pankhurst in prison, and Kitty Marion (no. 13) a music hall performer and member of the Actresses' Franchise League.
​It's curious that Marion's publicity photograph has been used here - there are other pictures of her taken by press and police photographers that could have been used but perhaps this full face image was thought more valuable.



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    Naomi

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