Naomi Paxton - Researcher and Performer
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    • Different Stages project
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  Naomi Paxton - Researcher and Performer

Behind the nightlight - some thanks so far...

29/12/2025

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Photo by Lloyd Sturdy
Since first finding and falling in love with Liza Lehmann's musical settings of some of the Behind the Nightlight stories in June this year, it's been an adventure bringing them to the stage! 

So some thanks are in order:
  • to Edward Picton-Turbervill for meeting with me after the Radio 3 recording and going through the pieces, and Tom Carradine for recording some backing tracks to experiment with
  • ​to the Alternative Comedy Memorial Society and Lose Your Marbles Comedy for allowing me to experiment with The Blue Gueeze at their new material nights
  • to Sarah Rose and Dusty Limits for saying yes to the idea of the Being Human Festival event
  • to the Being Human Festival, and the CAA, RCSSD, Muriel Matters Society, and Francis Routh Trust for making the BH event possible
  • to Janie Dee for her creative directing
  • to Melinda Hughes for inviting us to Chelsea Arts Club
  • to Brydges Place and David at the Museum of Comedy 
  • to my agent Georgi at Gag Reflex Management 
  • to the many friends who have been supportive and enthusiastic! Thank you all.
The whole show continues to evolve and I'm thrilled to have been able to include research as well as other music by Liza Lehmann in the show, including a piece from her score for the 1904 West End hit "Sergeant Brue" and one of the songs from her "Nonsense Songs from Alice in Wonderland" series from 1911. 

The next performance is on the 29th January at Crazy Coqs in Piccadilly Circus - here's the link: www.brasseriezedel.com/events/ada-campe-behind-the-nightlight-quaint-beasts-in-an-edwardian-nursery/?instance_id=1855088
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Goodbye 2020... it's been real

31/12/2020

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Booting 2020 away with the gusto of Music Hall legend Marie Lloyd kicking off a special Spurs vs Variety Artistes football match in 1913!

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reflections on a performing 'hangover'

4/11/2020

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 In September I did a show called 'An Afternoon with Ada Campe' at the Phoenix Arts Club in London. It was the longest bit of live performance I'd done since February, and was packed full with new material including a socially distanced magic trick and some songs - the first time Ada had sung on stage. It was great fun - and a second show called 'A Late Afternoon with Ada Campe' happened at Above the Stag Theatre in Vauxhall in November - simultaneously my first and last live appearance that month due to the implementation of the second lockdown in London.

After both shows I had a sort of post-show 'hangover' that lasted for days - the rush and excitement of performing live again and packing in so much new material at once was wonderful, but whereas in pre-COVID times I was used to finishing Ada shows with a great release of tension, for both of these the tension seemed to stay in my body... presumably because the chance to perform live has been so rare during 2020 that I didn't want to let the feeling or memory of it go.

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Ada Campe and the psychic duck - london preview dates

29/6/2018

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Want to see a preview of Ada Campe and the Psychic Duck in London before it goes to the Edinburgh Festival Fringe in August? You can!
Here are the dates and details of all the July previews:

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    Naomi

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