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So - it has been announced that mid noughties show The L Word is coming back, with some of the original cast involved. I have the whole run on DVD, and although I haven't watched it since it ended in 2009, it was a ground breaking series, featuring openly lesbian performers, writers, musicians, and producers. While the portrayal of lesbians on tv hasn't moved forward as much as The L Word's creator Ilene Chaiken hoped it would have done since the show, the increasing number of online communities and online spaces queer women are part of and occupy has meant conversations about visibility, diversity, intersectionality, gender identity, and accountability of the media are much more audible in public space and in activist and campaigning groups. As many bloggers and articles have acknowledged, the portrayal of lesbians in the show will need to be much more representative of the diversity of LBT+ people than it was before in order to speak to audiences today. The audience is certainly there! For Pride this year, I took part in the parade through London for the first time, and in some style as part of Parliout. It was fantastic fun to be on the bus and on the streets, cheering along with the crowds that lined the route. Issues around the representation of LGBT+ people in the promotional material produced by Pride in London, and concerns about the corporate take-over of Pride had been widely expressed before the march, particularly as some groups were not initially represented in the parade. While I certainly saw some dissent and protest from individuals over the course of the afternoon, seeing so many marchers from different organisations, unions, institutions and campaign groups was an undeniable joy.
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It's always weird finding things you have assumed have long gone. My folks are moving and therefore lots of my old stuff, gathered over years at their house, is seeing the light of day. Two things in particular have emerged from the depths - and heights - of the loft and prompted nostalgic smiles today - and I feel moved to share both of them. Below is a picture of the first - some old theatrical make-up powder and crepe hair given to me by my maternal grandfather many years ago.
Last week, in preparation for the discussion at Above the Arts on Women in Theatre, as part of Verve Festival, I decided to scan back through the last 12 months of reviews on The LGBTQ Arts Review to see how the gender imbalance in plays out in LGBT theatre. Admittedly, it's impossible for us to get to every LGBT show on in London, because there are simply too many (hurrah). However, it was no surprise that we covered 31 shows with male protagonists and / or about male sexuality, and only 9 with females. Trans stories are also incredibly rare.
In groups of ten to fifteen at a time, audiences will set off on a specially prepared route through Covent Garden starting from the historic Theatre Royal Drury Lane. At intervals throughout the route, actors and actresses begin their performances as the groups draw near, engaging audience members in comic and moving moments from the struggle for Votes for Women with pieces both inspired by and directly from the plays and experiences of the Actresses’ Franchise League… Audiences will discover theatrical Suffragette secrets they never knew Theatre Land had been keeping! “Absolutely brilliant” 2. Male support for Votes for WomenIn the film 'Suffragette' the character of Hugh Ellyn, played by Finbar Lynch, is described by the policemen watching his property as being part of the 'Men's League.' Married to a known militant, he has apparently previously been imprisoned for his role in the suffrage campaign, and we see him in the film helping the WSPU to organise and carry out violent militant actions. Although we never get to hear any of his story, it's good to have acknowledgement of the male support for suffrage in the film - as it's an important part of the history of the campaign. It's not made clear in the film or production notes, but I reckon, given his militant leanings, Lynch's character is most likely to have been part of the Men's Political Union for Women's Enfranchisement (MPU). The MPU was directly affiliated with the WSPU, the society featured in the film 'Suffragette,' and shared their colours of purple, white and green. As well as their headquarters near Charing Cross Station in London, they had a number of regional branches across the UK, including in Eastbourne, Birmingham and Letchworth and at both Oxford and Cambridge Universities. One branch, in East Grinstead, was apparently "actually the outcome of an anti-suffrage meeting there... One gentleman was so struck with the feebleness of the arguments that he proceeded to found a branch of the Men's League."
So this month I graduated with a PhD in Drama from the University of Manchester after four years of research and study that has been a total joy. I can't believe how it much it has changed me.
This is the transcript of my talk for BBC Radio 3's Free Thinking Festival, recorded on the 2nd November 2014 at the Sage, Gateshead. It was broadcast on 24th November 2014. The broadcast version was cut, so the transcript below is the" full piece. You can hear the broadcast version by clicking on the picture above - or clicking here I was just casually reading through Votes for Women from 23rd January 1914 when this leapt out at me and made me giggle:
The final hurrah of the Actresses' Franchise League was in December 1958 at a special Ball held in the Savoy Hotel.
The programme for the event is fantastic - a treasure trove of information and a tantalising glimpse into what sounds like an amazing evening. The great and the good had their dinner at 8pm but there was a later "Actresses' Supper" served at 11pm, presumably so that actresses in shows could come and join the festivities after their performances had come down.
This article was published in the Observer newspaper on 24th August 2014 - it was originally published by the same paper on 24th August 1986 and is about the vote of the Magic Circle, the International Brotherhood of Magicians, in that year on whether to allow female magicians to become members of the organisation.
Actress and Actresses' Franchise League member May Whitty's memories of August 4th 1914:
Aug 4 – “We played as usual for Church, traveled home, supped with Cissie L and an air man Carlton after going to Hippodrome, all so strange, unreal – wild rumours of naval engagements, ships sunk – the streets as we walked home were full of excited people waving flags – Singing Marseillaise, riding on tops of cabs – all so horrifying, then the tension – the rumours – the hopes the fear, and the Sheer World of such stupidity, and life went on..." Researching my PhD about the Actresses' Franchise League and their work has been and remains wonderful - there's been so much to find and it's a treat to look for it. I've discovered that I love tracking things down! The absence of archives or papers for the most longstanding and active members of the League has been the most frustrating part, although of course it's always worth being optimistic about the future.
Then there are the near misses... here are two that I've experienced that are to do with the actress Adeline Bourne. Studying, performing and engaging with feminist theatre from a century ago has pretty much ruined the past three years of theatre-going for me - and in many ways I couldn't be more pleased. I feel awake.
You might have read my blog post about the Actresses' Franchise League and their conversation with a manager of the Empress Rooms in London in 1914... If you haven't then please do by clicking here! I took advantage of the newly opened Newsroom at the British Library to look up the original story in the Daily News... hoping that it might be possible to find which member of the AFL had drawn the sketches... and discovered that Votes for Women had put a rather positive spin on the end of the story,
one which I had believed and then blogged about. Picture the scene thus:
Two Edwardian actresses meet whilst walking through Covent Garden. It's a balmy afternoon some time in autumn 1913. I've created an Actresses' Franchise League version of the popular 2048 game - it's like a sliding block puzzle game. Here's a screenshot of what it looks like:
Last week the press reported negative comments made by the leader of UKIP about working women who take time off to have families - challenged about his views on working mothers he said "I can't change biology"
This old-fashioned (to be kind) and backward (to be honest) view reminded me of some equally ridiculous and sexist discrimination towards working women - in this case actresses - almost exactly a century ago... On 29th January 1914 the Actresses' Franchise League held a Tea Dance at the Empress Rooms in Kensington. It was a fundraiser for the League and as well as Tea and the Tango, there were all sorts of other entertainments, including palmistry. Well-known actresses became waitresses for the occasion to serve the tables and thereby hangs a tale... |
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